Friday, November 21, 2008

http://www.news-press.com/article/20081121/ENT12/311270008/1013/LIFESTYLES


RatDog to bring Deadheads to Mann Hall with former Primus drummer in tow
BY MARK S. KRZOS • MKRZOS@NEWS-PRESS.COM • NOVEMBER 21, 2008
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Jay Lane, a founding member of the experimental metal band Primus, just completed drumming work on jazz guitarist Charlie Hunter's debut album when he first met Bob Weir.



"It was back in 1993 when we met," said Lane, who'll join RatDog - the band Bob Weir started following the 1995 death of Jerry Garcia - at Barbara B. Mann Performing Arts Hall tonight. "Back then my musical interests were very narrow. For example, I couldn't tell you the difference between bluegrass and zydeco.

"I was playing hyped up funk, jazz and R&B," Lane said during a RatDog tour stop in Boston. "I think that's why Bob took a chance on me."

THE BUS CAME AND I GOT ON ...

Like the lyrics of Weir's psychedelic face-melter, "The Other One," Lane knew becoming part of Weir's band meant an introduction to a whole new world of sight and sound.

In the early post-Grateful Dead years, audiences wanted more of the same, Lane said.

But Garcia was gone and Weir wanted to pay tribute to his past work without trying to clone it.

"It was a challenge for me," Lane said. "I didn't know how to play slow. It took me a number of years to learn how to slow down. I had to really break myself down and had to learn all this Americana music that was out there.

"What I really liked about RatDog and this music is that it's so inclusive," Lane said. "I had to learn to love the music to get it and get Bob's style."

LET THE WORDS BE YOURS

Unlike most rhythm guitarists, Weir has his own distinct style of complex voiceleading, which adds more depth - and a new dimension to rhythm guitar-playing.

"He's like a puzzle piece," Lane said. "You look at him and he's someone who crafted his style by playing with the same guys for 30 years. There is no one who plays like Bob. Guys like Les (Claypool) and Charlie (Hunter, a seven and eight-string jazz guitarist) were taught by themselves in their own room. Bob was playing in the Grateful Dead at 17.

"It took me a long time to figure out what he was doing," Lane said. "Even today, every few gigs, I'll feel like I've had another breakthrough."

THEY'RE BEYOND DESCRIPTION

Legendary concert promoter and Grateful Dead fan Bill Graham once said this about the Dead: "They're not only the best at what they do, they're the only ones who do what they do."

Today, some 13 years after the band called it quits, the groundwork the Grateful Dead laid for future generations of experimental rock bands keeps expanding through rock festivals such as Bonnaroo, live music downloading Web sites such as archive.org and bands who search for more than three chords and three-minute songs.

"The Dead fans that come see us want to hear the Dead," Lane said. "But we're not the Grateful Dead. When we play some of those old songs, we're paying homage while at the same time giving them something new."

SHALL WE CALL IT BY A NAME?

While a RatDog show is often comprised of plenty of Grateful Dead songs RatDog is no Dead cover band.

Recent performances illustrate the wide variety of songs ranging from rarely played Dead tunes to Bob Dylan to the Beatles and Rev. Gary Davis.

"I think what we're doing is turning a lot of younger people whose parents were Deadheads on to this music," Lane said. "If people can come to this music through that rap album 'Jay-Z is Dead,' great. People are finding music in other ways than listening to the radio."

Tuesday, November 18, 2008


Review: Weir does former band mate proud


TUESDAY, NOVEMBER 18 (updated 8:17 am)
By JERI ROWE
Staff Writer
RELATED STORIES
Rowe: Mom’s 'B natural’ solace is seeing Dead jammin’ (3:00 am)
GREENSBORO - Two hours into Bob Weir's show, when he started singing about ripples on still water, a handful of fans turned their Bic lighters into beacons Sunday night inside Greensboro's War Memorial Auditorium.

It's an old-school concert move. But it seemed appropriate. Weir, the former rhythm guitarist for The Grateful Dead, helped write and play some of the most memorable American music over the past 40 years.

And he played some of that Sunday night with his band RatDog.

Weir opened with "Here Comes Sunshine," and two sets and an encore later, he ended with "Ripple."

Fans got the classic: "Samson and Delilah," "Good Lovin'," "The Other One" and "Peggy-O." But Weir also dipped into the obscure, bringing out "Cream Puff War" from The Dead's first album in 1967.

At least three generations of fans turned the 2,400-seat room into one big dance hall, where everywhere you looked - the aisles, the rows, the orchestra pit - were often a mass of arms, hips and hands.

And up front was Weir, looking like a stoic grandfather with his bushy, salt-and-pepper beard. He wore his signature concert uniform - T-shirt and shorts - and he played on a stage flanked by an American flag, a North Carolina flag and two oddities on an amp: a bowling pin and a Barack Obama bobble-head.

The sound was impeccable, and the show went on without a hitch - other than a last-minute scramble by auditorium staff to find Weir a hair dryer before the show.

Weir - and The Dead - have always loved making a stop in Greensboro. The Dead played five times at the coliseum, including a memorable two-night stand in 1991 that drew 29,000 fans.

Twenty months ago, Weir ended his spring tour with RatDog at War Memorial. That show drew 2,022 fans.

This time, on a Sunday night, a tough time for drawing any kind of crowd, RatDog drew about 1,500 fans.

Weir, who turned 61 last month, hasn't lost any of the vigor in his voice.

He did the Jazzy Bob, the Rock-Star Bob, the Outlaw Bob, as he sang his own songs as well as tunes from his former band mate and friend, Jerry Garcia.

Weir was a long-haired 16-year-old, wandering the streets of Palo Alto, Calif., when he heard banjo music, wandered into a music store and met Garcia. They jammed together and decided to form a band.

That was New Year's Eve, 1963. In August 1995, after three decades of playing music with The Grateful Dead, Garcia died of a heart attack. He was 53.

In an interview this summer in Acoustic Guitar magazine, Weir says he still feels Garcia's presence onstage. Weir says he'll play something and feel Garcia saying, "Nah, nah, don't go there" or "Yeah, there. Go there."

Well, Garcia would have been happy Sunday night. Weir did him proud.

Contact Jeri Rowe at 373-7374 or jeri.rowe@news-record.com

Sunday, November 16, 2008

11/15 /09 SHOW PHOTOS from Cousin Bud
http://picasaweb.google.com/cousinbud/081115upperdarby#





Another reason to look forward to 2009-
http://us.imdb.com/title/tt0985052/fullcredits#cast

Friday, November 14, 2008

Happy Weekend!
Wish I were going to a show! Oh well, soon enough RD3 will be playing at the adorable (It's really small and very cute) 142 Throckmorton Theatre!
....

An interesting and sparkling NEW article on Mickey Hart-



Bob Weir and RatDog keep the Grateful Dead spirit alive
by Ben Horowitz/The Star-Ledger
Friday November 14, 2008, 4:31 PM

ASOCIATED PRESS
Bob Weir of the Grateful Dead performs at the Bryce Jordan Center in University Park, Pa. during a benefit concert.
Bob Weir and his band, RatDog, are doing an effective job of keeping the Grateful Dead's legacy alive, or at least, one side of his old band's legacy.
The Dead had two main sides: There was the psychedelic, spacey, experimental Dead, the king of the jam bands; and there was the tight yet imaginative group that produced and performed a number of timeless, well-crafted roots-rock songs.
Weir, the Dead's rhythm guitarist whose rich baritone made him the band's most natural singer, thrived in the latter setting. So it was no accident that Wednesday night's concert at the New Jersey Performing Arts Center in Newark achieved its most powerful moments when Weir and RatDog focused on the songs, and didn't go overboard with the jamming.
With the Dead, Weir sang lead on about half the songs. Today, at 61, he sings lead on every song. His booming voice was fully intact Wednesday not only on his own songs, but on strikingly credible versions of such chestnuts as "Brown-Eyed Women" and "Cold Rain and Snow" that were sung by the Dead's legendary lead guitarist, the late Jerry Garcia.
RatDog's lead guitarist, Mark Karan, is a solid player, but he's no Garcia. Karan does a respectable job of exploring Garcia's high, darting flights of fancy on guitar, but RatDog, for the most part, couldn't reach the sonic instrumental heights of the Dead. So that side of the Dead didn't fully come across.
The opening song, an 18-minute "Truckin,'" was a good example. The number began as a casual yet engaging jam that evolved into this Dead favorite. The band hit a danceable groove for the song itself, and the crowd, which didn't need much encouragement, was pumped for the evening. But when the verses ended, Karan and the band went into a purposeless jam that was at least five minutes too long.
Fortunately, that didn't become a pattern. During two sets of music that clocked in at a generous 2 hours and 45 minutes, the only other needless jam came when RatDog attempted to parallel a Dead concert with "Stuff," an instrumental break centered on a drum solo that came midway through the second set.
But the highlights outweighed the low points. A lively, fun-loving rendition of Bob Dylan's "Silvio" seamlessly integrated Kenny Brooks' saxophone solo on "Tequila," delighting the crowd.
Three songs that originated with RatDog showed the six-man band has something to offer of its own. Particularly noteworthy was "Bury Me Standing," a slow, funky, mysterious number abetted by tension-building flourishes from the sax.
RatDog finished the first set in style with a snappy, rousing "Greatest Story Ever Told" that segued into a euphoric "Scarlet Begonias" on which Karan's guitar solo was just right.
An attention-grabbing, acoustic "Me and Bobby McGee" kicked off the second set with authority. And the band pulled itself out of the "Stuff" jam to end the concert on a high note. A stripped-down, atmospheric "Knockin' on Heaven's Door" led to an exhilarating set-closer, a no-holds-barred rendition of the Dead/Weir show-stopper, "Sugar Magnolia."
For its encore and final song, RatDog chose a moving ballad, "Brokedown Palace," a song Garcia co-wrote and sang for his mother after she died. Weir sang the song back to Garcia, showing his respect and affection for his mentor ("Fare you well, fare you well, I love you more than words can tell").
The song sent the Deadheads, young and old, exiting the elegant building in a mellow, reflective, satisfied mood.
Ben Horowitz can be reached at bhorowitz@starledger.com.

Thursday, November 13, 2008

Is John Perry Barlow, the Thomas Jefferson of the internet?
http://www.reason.com/news/show/29236.html




Alrighty! Garcia film on the way!


http://www.relix.com/Features/Daily_News/Garcia_Biopic_Gets_Rolling__200811133374.html










Article on Kirby show seems okay but t I've never heard some of the songs listed as classic Bob Weir songs!
http://www.citizensvoice.com/articles/2008/11/13/lifestyles/entertainment/wb_voice.20081113.t.pg24.cv13cdratdog_s1.2083551_ent.txt!

Wednesday, November 12, 2008

Wednesday, November 12, 2008 7:29 pm

Weir and RatDog provide jamming good time
By BRAD PATTON | For The Times Leader

http://www.timesleader.com/entertainment/Weir_and_RatDog_provide_jamming_good_time.html

Bob Weir performs with RatDog at the Kirby Center Tuesday.(Don Carey/Times Leader Photo)
Don Carey


Bob Weir performs with RatDog at the Kirby Center Tuesday.(Don Carey/Times Leader Photo)
Don Carey

Evoking the music and spirit of the Grateful Dead while applying their own unique talents, Bob Weir and RatDog tore through two sets and nearly three hours of music at the F.M. Kirby Center for the Performing Arts on Tuesday.

Weir, a founding member of that legendary band from San Francisco, has been fronting RatDog since just before the death of Jerry Garcia ended the Dead in 1995. Tuesday’s show included seven songs made famous by his original band, plus a handful of others that were played by the Dead many times over their 30 years together.

Taking the stage with an extended jam that first led into “The Music Never Stopped” then into “Casey Jones” (a Dead song originally sung by Garcia), Weir and his musical compatriots set the tone for the evening by making that first segment last for over 20 minutes.

Next up was a version of “The Golden Road (To Unlimited Devotion),” a song from the Grateful Dead’s 1967 debut album. The audience heartily joined in as the group persuaded them to “Come and join the party, it’s everyday.”

The current version of RatDog has been playing together since March 2003, and it showed on Tuesday night. Now more than ever, they seem more like a band and not just backing musicians for Weir.

Each member was showcased at various points during the concert. Guitarist Mark Karan, saxophone player Kenny Brooks and keyboard player Jeff Chimenti provided the flourishes, as bass player Robin Sylvester and longtime drummer Jay Lane built a sturdy foundation.

Lane, the only other member besides Weir who has played at every RatDog show, was featured prominently on an extended drum solo towards the end of the second set. He also provided the patented Bo Diddley beat on the band’s version of “Iko Iko.”

Two Bob Dylan songs were featured; a nice rendition of “Slow Train” graced the first set, while an acoustic version of “Desolation Row” was a highpoint of the second. Unfortunately the latter tune was marred by sub-par sound, including very noticeable feedback. In fact, throughout the evening the sound seemed muddy and distorted, with Weir’s vocals buried in the mix.

Seemingly unaware of the technical problems, the band played a blistering 11-minute version of Willie Dixon’s “Little Red Rooster,” which featured Chimenti on the piano, during the first set. That was followed by an equally impressive take on “Stagger Lee.”

Following a 30-minute intermission, the group came back out with two acoustic numbers, “Stealin’” and Dylan’s “Desolation Row.”

Then came the longest epic of the evening: Weir’s solo tune “Wrong Way Feelin’” which morphed into the Dead favorite “Playin’ In The Band,” which then turned into “Iko Iko,” which was followed by the drum solo/jam section, then “Death Don’t Have No Mercy,” and finally “Goin’ Down the Road Feelin’ Bad.”

The band then capped off the concert with Chuck Berry’s “Johnny B. Goode.”

Just like the Grateful Dead before them, no two RatDog shows are ever the same. Although flawed by the technical shortcomings, Tuesday’s performance by Weir and company was a fine addition to their portfolio.
11/11 isnt just a special day for my family, seems Ratdog always has a good show when they play that day!
Here's s

Tuesday, November 11, 2008

A nice interview with Dennis McNally!
Check it out!
click this!

Hippy 17th Berthaday to our Sasha!

Monday, November 10, 2008

If you can't make it to this event- you might like to bid on some very special items at the online auction- including some items donated by Ratdog! http://www.kinkaidfoundation.org/michelleauction.htm

Words & Music
The Michelle McFee Benefit Concert

A very special night for a very special friend, featuring:



David Nelson & Special Guests

Pete Sears – Mark Karan – Peter Albin
Mookie Siegel – Jimmy Sanchez – Dave Getz

Rubber Souldiers

Chris Rowan – Lorin Rowan
Jimmy Sanchez – David GansRobin Sylvester

Bill Cutler & Friends

Pat Campbell – David Perper – Steve Shufton – Peter Harris




7:30pm – December 19th, 2008

The Glaser Center

Unitarian Universalist Congregation

547 Mendocino Blvd., Santa Rosa, CA

(map & directions)



Tickets $20 in advance; $25 at the door

Only 300 tickets are available for this event!



Words & Music Benefit Tickets (via PayPal)




To purchase tickets using any non-PayPal method,
please click this email link to send your request to

tickets@kinkaidfoundation.org
This email will reserve your tickets; we’ll make payment arrangements later.
Ratdog LIVE from 11/09/2008 Concert Rebroadcast: TONIGHT

11/10/2008 9:00 pm ET
On November 9, The Grateful Dead Channel broadcast a live concert by Bob Weir and Ratdog from Bridgeport, Connecticut. If you missed it, be sure to catch the rebroadcast.

Rebroadcast: Weds., Nov. 12th @ 3 am ET; Fri., Nov. 14th @ 9 pm ET; Sat., Nov. 15th @ 12 pm ET; Sun., Nov. 16th @ 9 pm ET.

http://www.sirius.com/gratefuldead

Sunday, November 09, 2008

www.boston.com/ae/celebrity/articles/2008/11/10/keeping_up_with_kim
Grateful fans
Wyc Grousbeck indulged his inner Deadhead the other night. The Celts CEO invited Bob Weir and the rest of RatDog to Friday's Celtics game at the Garden. (RatDog played at the Orpheum Saturday.) Weir, the former guitarist of the Grateful Dead and good friend of onetime Celtic Bill Walton, happily accepted. Said RatDog's tour manager Matt Busch afterward: "The seats were spectacular, Wyc was a terrific host, and it was as great a night off as we've had in quite some time." Weir demonstrated his Celtic pride by donning a Kendrick Perkins jersey for his show's encore.
FOTD from last night!
cleeky here!






Check out Yusuf's blog.
There's a link to watch "Go Furthur" online over there. Nice appearance by the Bobby in that film.

Friday, November 07, 2008

And suddenly, he's everyweir!

including basketball games!

"And if it’s excitement you were seeking, you can thank the Celts for continually tossing the Brew City crew a life preserver in the form of some uninspired play. With Bob Weir of the Grateful Dead sitting courtside, they were, at times, only technically alive.
AND
http://www.telegram.com/article/20081108/NEWS/811080470/1009/SPORTS
"Former Grateful Dead guitarist Bob Weir sat courtside next to Celtics owner Wyc Grousbeck with a Celtics jersey in his lap. Weir and his RatDog band play at the Orpheum tonight."

Happy Belated Birthday Kenny Brooks!

Better late than never!
Topher's ashes will be spread at the park across from the Orpheum tomorrow, most likely around 5:30 or 6. Please contact Liz at lizzy@ratdog.org if you can make it there before the show to say goodbye.


Thursday, November 06, 2008

Note from the Washigton Post-

Hey, Isn't That . . . ?
· Bob Weir in the midst of the jubilant crowd rallying at the White House very late on election night. The gray-bearded Grateful Dead guitarist had attended the more polite party hosted by Democratic leadership the Hyatt Regency earlier that evening with former band mate Phil Lesh, had dinner at Old Ebbitt, then got drawn into the crowd as he walked back to his hotel. Agreed to pose for a lot of photos with fans.

Also in the Post is Soccer news displayed in a Ratdog setlist!
http://voices.washingtonpost.com/soccerinsider/2008/11/morning_kickaround_99.html

(((((Topher))))





.................
Rex Foundation's 25th Anniversary
"Sweet Music Everywhere"
Featuring: Peter Rowan with Friends and Family
Including The Rowan Brothers, Ramblin' Jack Elliott,
Crucial Reggae with legendaries Fully Fullwood
& Tony Chin, and the Peter Rowan Blue Grass Band
Michael Kang with Panjea
Jackie Greene
The Brass Mafia
And more…

Balcony and lower loge tickets are available
through mail order.
Balcony tickets are $44.00 per ticket
Lower Loge tickets are $104.00 per ticket.
Lower loge tickets are limited so please send
two money orders if you will accept balcony seats.

Premium floor seats are available by faxing
(415 868-9819) or emailing (GDTSTOO@gdtstoo.com)
the form found on our website, www.gdtstoo.com
Premium floor seats include a pre-concert reception
party with dinner and drinks, plus goodie bag.
Groupings of 2-10 people can be arranged.

Rock & Roll - $1,010.00 per ticket – Front floor seats
Blue Grass - $510.00 per ticket
Reggae - $210.00 per ticket

The first mail in dates for this performance are
Friday through Monday, November 7 through
November 10, 2008.

_____________________________________________

Bob Weir & Ratdog 2008 Fall Tour

All tickets have been mailed for the remainder of the
Fall tour. Last call for Greensboro and the Florida shows.
Email us for credit card purchase information.

____________________________________________

New Year's Eve 2008 – 2009

All orders through the 24th postmark will be filled,
however, duplications will be disqualified.
Tickets for these shows will go out around Thanksgiving.

New Year's Eve tickets are on sale via Ticketmaster.

____________________________________________

Our customer service number is: 415 868-9819
Our semi-regular telephone hours are Monday
through Friday, 11:00 AM to 4:00 PM Pacific time.

The Crew of GDTS TOO
November 6, 2008

"The plowman is broad as the back of the land
he is sowing
As he dances the circular track of the plow ever
knowing
The the work of his day measures more than the
planting and growing
Let it grow, let it grow, greatly yield"

John Barlow

__._,_.___

Tuesday, November 04, 2008

Brrrrrng!
Brrrrng!
Bobby has a message for you!

http://www.rollingstone.com/rockdaily/index.php/2008/11/04/grateful-dead-roadie-i-took-my-job-as-a-sacred-task/
Grateful Dead Roadie: “I Took My Job as a Sacred Task”
11/4/08, 2:32 pm EST
The Grateful Dead biopic adapted from Home Before Daylight, already has a shortlist of hot directors including Oliver Stone, Sean Penn, Jonathan Demme and Larry Charles. “Those are the guys that would really knock out of the park,” producer Stephen Emery tells Rock Daily.

But like any business these days, the film industry is taking a kick in the groin. “Hollywood is in a freeze like the rest of us in this country,” says the book’s author and longtime Dead roadie Steve Parish. “It ebbs and it flows. But the wheels are in motion. It could happen any day.”

Several musicians, including Jefferson Airplane, Neil Young and Bob Dylan, have already signed on for the soundtrack, with guitarist Bob Weir as the music director. “I’m very proud to have Bob on board,” says Emery. “He wants to write new stuff for the film, too.”

Out of all the books on the Grateful Dead, few cut close to the bone like Parish’s book — it goes deep and gets personal. He not only knows where the skeletons are, but where the bodies are buried. That happens after 35 years hauling gear for Jerry Garcia and the band. He’s seen a lot — maybe too much. So, it’s a miracle that he remembers enough to get it down in ink, let alone bring it to the screen. “Jerry was just such an amazing guy,” Parish says. “We hung out together, played together and partied together.”

“I thought it was a great story crewing for the grateful Dead,” Parish says. “I realize now we broke all all the rules. There were no PAs. We went all around around the country dealing with the unions. All they knew was Broadway. We were long hairs and different from them. But Jerry had a huge respect for the working man.” But Parish held his own. “Fuck, I’m a pretty big fella.”

As pitched, the film concentrates one the band’s early years and arcs over a decade.”It was a great time for the band and the country,” Emery says. “It goes from 1967, when Steve signed on with the band, and runs through the next ten years. It has all the pain, love, and the brotherhood. I don’t want to get into the heroin problems and darker responsibilities that happened later.”

As Parish puts it, life with the Dead was tender and heart-felt. “Garcia was a brother to me,” he says. “And I took my job a a sacred task.” One evening, Parish got word his wife and daughter died in a car wreck. “I was out of control, It was just an incredible world. We always had a connection with death, and it made you tougher. The band literally moved in with me. They took care of me. But it was dangerous.”

Humor, no doubt, will play a part. “I can tell you without reading it that it might make a funny movie,” says Grateful Dead lyricist John Perry Barlow.

Garcia, Parish says, would likely approve of the flick. “Jerry always talked about movie making,” he says. “We always talked about doing projects. Jerry was really into movies. He loved films, old ones, strange ones.”

“Bob and I are waiting,” Parish says about studio negotiations. “It’s like standing on ice blocks.”
.........................................................




"Tale of the Dog
Mark Karan talks about joining the Grateful Dead brotherhood, music as a form of therapy and hearing himself on TV"

Tale of the Dog

Thursday, November 06, 2008
By Dave Bonan


Mark Karan grew up in San Francisco and played in countless rock outfits. He was heavily influenced by The Beatles, Jimi Hendrix, Quicksilver Messenger Service, Jefferson Airplane and, of course, the Grateful Dead.

He first joined Grateful Dead members Mickey Hart, Phil Lesh and Bob Weir as The Other Ones and shared the "Jerry" duties with former Zero guitarist Steve Kimock on the Furthur Festival Summer Tour in 1998 and again in 2000. After the tour ended, he joined Ratdog, the band Dead rhythm guitarist Bob Weir formed in 1995 with bassist Rob Wasserman. Ratdog performs a large chunk of the Dead's catalogue as well as originals and covers, and mirrors the Dead's Americana hybrid roots. They released an album, Evening Moods, in 2002, but like the Dead, live shows are their focal point. (Like Garcia said, "Making an album is like building a ship in a bottle, playing a live show is like sailing on the ocean.")

In June 2007, Karan was diagnosed with throat cancer and didn't join that summer's tour. Miraculously, he was given a clean bill of health the next summer.

The Weekly caught up with Mark Karan at his home on the West Coast.

Weekly: Okay, let's go cliché. What is your favorite GD song? What is your favorite Bobby song?
Mark Karan: Ah, the question I can't answer, see? There's just too many, and I like different songs for different reasons, like songwriting, storytelling or chord progressions. But I tend to favor songs from the early '70s.


I was at the last two Shoreline shows on the 1998 tour. During the show, many of us saw the band members possibly experiencing an apparition during "Space," as they looked back and forth in confusion. Do you remember that?
I don't specifically remember that happening, but things like that tend to happen. My wife and friends (who were not under the influence) were at the Ratdog New Year's show nine years ago and we were playing "Two Jinn," and they don't know if Candace Brightman [the GD's light lady] did something, but they all saw this blue purple genie back in the corner of the auditorium where there weren't any lighting effects going on at all. So there's room for that kind of stuff to go on.


Who would you like to play with that you haven't?
Oh gosh [long pause]. I'm a complete Beatle idiot. At the very least, I'd like to meet and hang with McCartney and/or Ringo.


But he won't give you his autograph!
I don't care about that. It would mean so much more to me to spend some time with him, although I'm a sucker for a good photograph (laughing). I'd love to play some guitar with Bill Frisell and Amos Garrett. I've been really lucky. I've played with a lot of people I've wanted to play with—Little Feat, Dave Mason, Delaney [Bramlett] and [Bonnie] Bramlett—a lot of people who were important to me when I was growing up.


How would you describe your style?
I would say melodic and passionate as the primary characteristics. I don't think I'm going to blow away anyone's mind with my skill. It's not what I do. I'm really a songs person. I appreciate simplicity and appreciate passion and connection in music.


Back to Bobby [Weir] again. Do you and the other bandmates wonder why Bobby wears those short shorts?
[Laughing] Bobby's stock response is "It's always July under the lights." He makes fun of me on summer tours when I'm in my long-sleeve cowboy shirts and jeans.


Well, you also wear a lot of flowery shirts, evocative of the county you live in, right?
Depending on my mood, it's generally the Hawaiian shirt or the cowboy shirt. I came through the '80s with mile-high hair and there's funny pictures of me floating on the internet, but when I got invited to play with The Other Ones in '98, it was kind of a hip reset in a lot of ways, musically, social focus-wise, and even fashion-wise. I feel like I got sidetracked trying to make it commercially in the music world through the '80s. I'm glad I'm more back on track.


When you were diagnosed with throat cancer, did you utilize music as part of your healing?
Absolutely. Aside from having my guitar by my side at all times everyday for seven weeks, when I had radiation, they strapped me down and locked my head with radiation guns pointing at you for 25 minutes. Every day before going in, I'd select a CD from my collection and wait for a favorite to jump out that was full of life and comfort and I would bring it and listen.

I definitely don't have the energy I did previously and my voice is compromised, and I want that to get back in shape to finish my record.


On July 21, 2007, Phil and Friends' encore was "Box of Rain," and it was dedicated to you. Deadheads know he wrote that song while watching his father on his deathbed.
I actually didn't know that. That's very nice. I knew about the song's history but not that Phil dedicated it to me.


Do you feel a special kinship with Phil because you both survived your health problems? [Phil received a liver donation and preaches organ donation before every encore.]
Absolutely. We were never close previously except for the '98 tour. We did his son's benefit show and some Ratdog stuff but never crossed paths. When they reached out when I was sick, it was really cool because we could reconnect in other ways as well as the spiritual and emotional stuff that comes up as a result of health issues. I definitely feel a strong connection to those people now.


For folks not familiar with the jam band genre, they may have heard your compositions on NBC's "Scrubs" and on programs for A&E, Discovery Channel, Oxygen and the Travel Network.
[Laughing] My god! How did you know that?


I look up my stuff!
You certainly do! Oh, that's amazing, man. Right on.


How did you make that transition to television?
I've always done music for a living that's taken a lot of forms, whether I played covers in bars for $50 a night to more creative and refined bands with hopes of record deals to teaching and sessions. I've been involved in music library projects where you write, play and record. It's not necessarily a song, but a snippet. Television and films then license the music through the libraries.


Do you find yourself watching TV and listen and say, "Hey, that's me!"
Occasionally. My wife and I were in Los Angeles one time and this Norm Reeves [a local dealer] Honda commercial came on and it was me singing, and I had done that like ten years previously, and here they were still using the exact same commercial.


I see you also composed music for the Playboy Channel. Have you introduced a new hybrid of jam band/porno-funk?
[Laughing] No, it was the music library as I mentioned before. No porno-funk from this kid.


In Rolling Stone, Bobby was in the top 25 list of San Francisco guitarists, along with Garcia. I think he's really underrated and his styling is constructive, frenetic and enigmatic. How does it sound on stage?
Like part of what we're doing. I can't afford to listen. I have to stay focused on what we're all doing.

.......................

http://www.theweekender.com/music/RatDog__lsquo_at_our_best_rsquo__11-04-2008.html




by Ryan O’Malley
Weekender correspondent.

Going on more than a decade as the keyboardist for Bob Weir and RatDog, it’s about time Jeff Chimenti got around to listening to some Grateful Dead music. Although having Weir, a founding member of the Grateful Dead, in the band might seem like an open door to the enormous catalogue of Dead material, according to Chimenti, the band has always been about its own unique sound.
“When I first went up there, I would say ‘I don’t know that or I never heard it,’ and [Weir] was like, ‘Don’t listen to it. Let’s see what you’ve come up with,’” Chimenti explained. “I think things were working fine, but I think it’s best to go back and understand where it came from. It’s kind of hard to go somewhere if you don’t know the root source. Over the years, a bunch of us have been listening and listening. It’s all been fun for me, because it’s all kind of new. I think overall, everybody just has a better understanding of the music, which is important.”
When RatDog brings its jazz/funk/rock improvisation to the F.M. Kirby Center in Wilkes-Barre Tuesday, Nov. 11, it’s safe to assume there will be a large amount of Dead material in the set, but don’t go to a RatDog show expecting to see someone trying to be Jerry Garcia. With RatDog, the band is more focused on adding its own twist to the music — whether it be lead guitarist Mark Karan throwing in some minor Garcia riffs or something that has become more prominent in recent years, having Chimenti or saxophonist Kenny Brooks take over some of the late guitarists fills.
“I just think there were certain signature lines that felt like they were in there, and we just took it upon ourselves, if we didn’t hear it, to go ahead and play it,” he said. “Maybe I can understand from Mark’s aspect, maybe there’s certain things he doesn’t want to play verbatim like Jerry, because he’s Mark. But there are certain tunes that have signature things, and they might gravitate or let themselves go that way, but nothing totally intentional. We’re just trying to fill out the music and pay homage as well. There was never a part with Mark where it was like ‘You need to play these parts.’ It was never like that. We want to be as individual as possible. We want to sound like us, but yet there’s certain things that we need to pay homage to.”
Developing its own sound is something RatDog prides itself on, with each show allowing the band to explore its own musical limitations. For Chimenti, that has meant going from just a backing player when he first joined in 1997 to a more dominant role today where he finds himself taking over a nice amount of soloing during any show.
“As the band knows each other more, you’re able to stretch out more,” Chimenti said. “I think it depends on the way shows are going. Sometimes there’s a little more room to step out. You never know how it’s going to go, especially during the ‘Stuff’ section — we’re all kind of going by the seat of our pants. Just finding spots. If it serves the music, why not? Let’s stretch it out. I don’t think it was anything that was talked about. I think it’s just the music and the comfort level with the music and each other. It’s like a natural progression.”
Other than the band’s live shows, many RatDog fans are still anticipating the follow-up to the band’s debut studio album, “Evening Moods,” which was released in 2000. Although RatDog has written almost enough material for a new studio album in the ensuing seven years, it looks like the band might be gearing up for some studio time, as it recently purchased a new recording studio near the Bay Area in California.
“It’s hard to say, because we’re basically just set up here in our home studio at TRI,” he said. “I think once that’s set, it’ll be a lot easier to do some tracking and to just lay some stuff down. I would assume that with the way things are going there should be some new studio aspects coming out of RatDog, in addition to live. I foresee something happening. The studio’s right there, so we might as well use it [laughs].”
For now, the band is concentrating on what it does best — delivering powerhouse live performances, like the stop at the Kirby on Tuesday.
“Like I always say, you’re going to get RatDog at our best,” he said. “We just go out there and try to do it, and every show is just as important as the next. We try to give our all every show no matter what. Hopefully, in a RatDog way, you get the honest and true RatDog — that’s what we try to do.”
w

Monday, November 03, 2008






http://www.relix.com/Features/Daily_News/Weir_and_Lesh_to_Appear_on_SIRIUS_200811033327.html



Both Phil Lesh and Bob Weir will appear on SIRIUS’ 24-hour Grateful Dead channel over the course of the few few days. While in town for his run of shows at the Nokia Theatre, Gary Lambert, Dead expert and co-host of Tales from the Golden Road, will talk politics with Lesh this Wednesday, the morning after the 2008 election. Following the interview, Lesh and his current guitarist Jackie Greene will play a short set in the SIRIUS studios. Weir will then stop by the studio the following Sunday, November 9 at 8:00 PM for an exciting performance with RatDog.

Lesh’s performance will be rebroadcast on November 6 at 9:00 AM, November 8 at 4:00 PM and November 9 at 10:00 AM. Weir’s performance will be rebroadcast on November 10 at 9:00 PM, November 12 at 3:00 AM, November 14 at 9:00 PM, November 15 at 12:00 PM and November 16 at 9:00 PM. For more information about SIRIUS XM Radio visit www.sirius.com/gratefuldead.

Sunday, November 02, 2008

Hooray for Bud!
That would be Cousin Bud!!
Westbury Ratdog pix at his site->http://picasaweb.google.com/cousinbud/081031westbury#
http://www.post-gazette.com/pg/08307/924851-388.stm

Review: Deadheads get Halloween weekend treat from Bob Weir and Ratdog


Sunday, November 02, 2008
By Scott Mervis, Pittsburgh Post-Gazette


It was only fitting on Halloween weekend that the Deadheads assembled at the Carnegie Library Music Hall of Homestead got to join in unison to sing, "steal your face right off your head."
The most skull-centric piece of Grateful Dead lyricism was delivered by Bob Weir and Ratdog deep in the second set of a show that spanned nearly four hours.
The Dead's co-frontman sports a bushy gray beard these days to go along with dropping as many beloved Jerry Garcia songs into the set as his own. In addition to the aforementioned "He's Gone," Weir even reached into the Garcia solo catalog for "Mission in the Rain," a song he doesn't sing with the tenderness Jerry did but was effective nonetheless.
Ratdog was a pretty slow-moving creature last night, exploring the psychedelic colors, textures and loose funk grooves Deadheads know and love, complete with a saxophonist adding an an almost "Saturday Night Live" band New York feel.
The sets seemed even more unpredictable than usual, what with a truncated "Dark Star" ending the first and an acoustic "Blackbird" opening the second. The show favored jazzy improvisation over midtempo grooves rather the Dead's punchier, more rockin' material, with the exceptions of an early "Big River" and a set-closing "One More Saturday Night."
Everyone is going to have their favorites -- "Cassidy" was a highlight for me, even if the build wasn't as climactic as usual -- but most of the people twirling in the aisles will probably agree that Ratdog caught the most fire on a euphoric "Eyes of the World" and a transcendent "Standing on the Moon."
Speaking of astral travel, during "Stuff," they replicated the sounds of aliens landing in Munhall and creating their own cosmic orchestra -- a treat for the folks who opted for something stronger than beer.

First published on November 2, 2008 at 1:54 am

Saturday, November 01, 2008

From Ratdog.com for the Jamaican Bound-

This week's "Voice of Dog" which you can get in your email (just go to Ratdog.com and sign up!) includes the following message-

A Chance to Serve in Jamaica (along with the beach and rum drinks]...

Before the next scheduled issue of Voice of Dog will come one of those uniquely American holidays - namely, the shopping orgy that comes the day after Thanksgiving.

If you're among those lucky folk who're planning on going to Jamaica, we'd like to pull your coat to an idea. It's great to be able to take a few days off from winter - hey, the band's looking forward to it, too - but it'd also be great to do something very, very sweet along with it.

And have we got an idea for you. The folks at Deep Blue Ripple International have been gathering school and other supplies for the kids of Jamaica for years - they've worked with people we know well, and they're solid.

So here's what you do. When you start your Christmas shopping, how about you buy an extra kid's backpack, - or two - or what you can afford - everything helps. Then stuff them with school and art supplies and books - and lots of other stuff. Then you bring them with you to Jamaica and we'll make sure they get to the right folks.

Good stuff: Pencils, pencil sharpeners, erasers, lined paper, solar calculators, non-toxic glue, spiral notebooks, folders, index cards, math flash cards - hey, all the stuff that almost all of us grew up with just isn't easily accessible in Jamaica. Let's help.

Art supplies: crayons, watercolor paints and brushes, sparkle glue, construction paper, beads and beading supplies. (non toxic, please!)

Music supplies: harmonicas, hand drums, shakers, recorders, band instruments if you can come up with them.

Books: We're thinking books like dictionaries, Caribbean or African or African-American fiction for young adults, music instruction books, art instruction books, computer science stuff, elementary spelling and math - check out the list.



Play equipment: soccer balls, jump ropes, hacky sacks, chalk for hopscotch. And personal stuff - reading glasses, slippers, canes, soap.

Celebration, which is what a RatDog show is about, is a basic human need. No need to feel guilty about that. But combining it with being conscious of how lucky we are to be able to do that - and carrying along some backpacks full of good vibes. that's an even better thing.

Wednesday, October 29, 2008

DAVID GANS!!!!


Happy Birthday to a great guy!!!

this and that

Hurry- you have about 5 minutes , well maybe a day? Whatev, cast your setlist predictions NOW at
Ratdog Fantasy!

Come on without, come on within, you ain't seen nuthin like The Mighty Quinn!


Do you like astrology? If you do, you might enjoy checking out Planet waves.net's blog on Jerry Garcia.

Congratulations to Matt Beauchemin

Some cool items waiting for your bid at the Head count online auction!

Sunday, October 26, 2008

He changed live music forever

He changed live music forever
HAPPY BIRTHDAY HARRY!!!!!!!!!!
Grateful Dead lawyer Harold 'Hal' Kant, 77, dies
Saturday, October 25, 2008 | 9:10 p.m. CDT
BY DENNIS MCLELLAN, THE LOS ANGELES TIMES

Harold "Hal" Kant, the Grateful Dead's longtime principal lawyer and corporate general counsel who spent more than three decades helping protect the legendary rock band's lucrative musical legacy, died. He was 77.

Kant died of pancreatic cancer Oct. 19 at his home in Reno, Nev., said his son, Jonas.

Once described in The National Law Journal as a "conservative, Republican, poker-playing opera fan,'' the bearded, Bronx-born lawyer launched his more than 35-year association with the Northern California band in 1971.

Grateful Dead co-founder Bob Weir described Kant last week as a "dear friend,'' who was "most instructive to us.''

"The Grateful Dead was known for its revolutionary approach to the music industry, and Hal was part and parcel of that,'' Weir said in a statement. "We wanted a place for humanity in a business that more resembled a nightmare circus than much else, and he helped us find it.''

With tongue in cheek, Kant's Grateful Dead business cards described his title with the band, whose lead guitarist, Jerry Garcia, died in 1995, simply as "Czar.''

"He oversaw every aspect of their business, whether licensing, touring, trademarks, merchandise or Garcia getting busted for drugs,'' said Jonas Kant, a music lawyer and a senior vice president at Sony/ATV Music Publishing.

"They were known for being a free-loving, peace-loving band, but he helped them run everything like a structured business,'' he said.

Kant, who accompanied the band on various tours, "did all of their recording and music publishing agreements,'' his son said. "He was renowned for being very much ahead of his time in terms of protecting the artists' and songwriters' rights.''

Kant ensured the masters of the Grateful Dead's recordings and copyrights in the music would be owned by the band, his son said. He also enlisted an Oakland, Calif., law firm to handle enforcement of the band's trademarks.

Dennis McNally, author of the 2002 biography "A Long Strange Trip: The Inside History of the Grateful Dead,'' said Kant "was a significant force in keeping them together by having the business function well so that they could do what they wanted to do, which is play music.''

When Ben & Jerry's ice cream produced a new flavor, Cherry Garcia, in the early '90s, McNally wrote in his book, the company did so without even discussing the idea with Garcia. Although Garcia was unconcerned when it was first brought to his attention — "At least they're not naming a motor oil after me, man,'' he said — Kant convinced him the issue should be addressed.

As recounted by McNally, Kant told Garcia: "They will name a motor oil after you if you don't confront this, Jerry. You'll have no control over your name at all.''

Garcia finally told Kant, "If it bothers you, go ahead.''

"In the next few years,'' McNally wrote, "Jerry would have no problems in spending the large sum of money he'd earn thanks to the letter Kant wrote (to Ben & Jerry's).''

Kant remained the band's general counsel until around 2000, but he continued to represent Ice-Nine, the band's music publishing company, until his death.

He also was a lifelong poker player, who cut classes at DeWitt Clinton High School in the Bronx to play penny poker with other kids in a clubhouse in the cellar of a tenement house.

With a penchant for wearing a cowboy hat and boots and smoking Cuban cigars, Kant began playing casino poker in 1984 and won the World Series of Poker in 1987.

The rule he followed at both the gaming table and the conference table, he said, is "you have to be willing to go all-out. Bluffing is OK, but you have to be willing to take the downside if you lose.''

The son of eastern European immigrants who owned a dry-cleaning store in the Bronx, Kant was born July 29, 1931. He received a bachelor's degree in psychology from the University of Washington and a master's degree in clinical psychology from Pennsylvania State University.

After a stint in the Army working as a psychologist at an Army hospital, he went to Harvard, where he received his law degree with honors in 1958.

He was a clerk for Judge William Orr of the 9th U.S. Circuit Court of Appeals in San Francisco before joining a Beverly Hills, Calif., law firm in 1959. In a few years, he launched his own general business law practice and eventually began representing movie industry clients.

During that time, he told The Boston Globe in 2000, he noticed, "The only attorneys in the music business were the attorneys for the record companies, and their job was to get as much money as they could for their company and leave as little as possible for the artists. I decided, maybe the other guys should have an attorney, too.''

He began by handling the Association and in time represented artists including Sonny & Cher, Stevie Ray Vaughan, Big Brother and the Holding Company, Hot Tuna, and Captain Beefheart.

The Grateful Dead made up only a small part of his work until 1987 when, according to The National Law Journal story, the band's revenues soared from $15 million per year to $100 million per year. Kant then withdrew from the rest of his practice and devoted the majority of his time to the band.

Kant, who was executive director of the Legal and Behavioral Institute in Los Angeles in the '70s, also was a co-author of the 1973 book "Pornography and Sexual Deviance.''

In addition to his son Jonas, Kant is survived by his wife, Jesse; two other sons, Garth and Tony; his sisters, Charlotte Silverman and Thelma Sameth; his step-children, Cameron Cassidy Sloane and Sean Cassidy; and five grandchildren.

Friday, October 24, 2008

"Merl was the sun rising over the keyboards every time I looked over at him," comments Weir.

Bay Area musician Merl Saunders dies at age 74

By Jim Harrington
Oakland Tribune
Article Launched: 10/24/2008 02:33:38 PM PDT


Bay Area musician Merl Saunders, seen in this undated promotional photo, died Friday in San...
Merl Saunders, a San Mateo native who made his mark on the Bay Area music scene by recording and performing with some of its biggest stars, including Bonnie Raitt, Creedence Clearwater Revival's Tom Fogerty and the Grateful Dead's Jerry Garcia and Bob Weir, died early Friday at Kaiser Hospital in San Francisco.
The 74-year-old keyboard player succumbed to a systemic infection and the lingering effects of a stroke he suffered six years ago, which left him paralyzed on one side of his body.
Saunders never experienced the same kind of fame and recognition as those players, but his deep contributions to the Bay Area music scene were cherished by thousands.
"Merl was the sun rising over the keyboards every time I looked over at him," comments Weir.
Saunders was a multi-talented keyboardist who was equally comfortable performing rock and jazz. Born on Valentine's Day 1934, Saunders was proficient on the piano by age 10 and his ability to position himself in the company of greatness was also honed at a young age. For instance, he was a bandmate and classmate of Johnny Mathis while in junior high school.
Saunders later made the transition to the Hammond B-3 organ, which quickly became his instrument of choice, and managed to wrangle an apprenticeship of sorts with the great B-3 master Jimmy Smith.
In 1970, Saunders embarked on a lengthy partnership with vocalist-guitarist Jerry Garcia, a restless musical soul that was always on the look for collaborators outside the Grateful Dead. The two musicians would work together in the band "Legion of Mary" and the ensemble "Garcia/Saunders," performing local club dates and producing Saunders' best-known recordings, including "Heavy Turbulence," "Fire Up" and "Live at the Keystone."
Their 1990 collaboration, "Blues from the Rainforest," was a Billboard Top 10 in the New Age category.
Saunders obviously benefitted from his association with the Dead's world-famous guitarist. Yet, this collaboration was a two-way street.
"When Jerry first started playing outside the Dead, he pretty consciously chose keyboard partners who would broaden his horizons," says Dennis McNally, the longtime Grateful Dead historian and publicist. "At that point, in the early '70s, Jerry knew rock, R&B, country and folk very well indeed. Merl, though he'd spend most of his career playing in rock bands, was a Jimmy Smith devotee who had at his command the Great American songbook — the classics of Tin Pan Alley and Broadway. And he really shared that sophistication with Jerry and with succeeding musicians in the so-called jam-band world who listened to him. ..."
Over the years, Saunders became a senior member of the jam-band scene, and he performed with such top second-generation acts as Phish, Blues Traveler and Widespread Panic. He was also known as a very generous band leader who provided opportunities for such uip-and-comers as Sheila E., Bonnie Hayes and Bob Steeler.
Outside of the rock world, Saunders managed a successful career in jazz and blues music. Notably, the B-3 titan performed and recorded with such true legends as Harry Belafonte, Frank Sinatra, Lionel Hampton, Miles Davis, B. B. King, Paul Butterfield and Bonnie Raitt.
Saunders is survived by longtime companion, Debra Hall, three children — Anthony Saunders, Merl Saunders Jr. and Susan Saunders — as well as by several grand children and great grandchildren.
There was no announcement Friday regarding funeral or memorial services.
Reach Jim Harrington at jharrington@bayareanewsgroup.com. Read his Concert Blog at www.ibabuzz.com/concerts.

..................

New article on the Egypt dvd- some Bobby quotes within

Thursday, October 23, 2008

Wednesday, October 22, 2008

Dead Houses not Halloweenie

If you had been to a West Coast Grateful Dead show, chances are you smiled as that man dressed in a bear costume with lights twirled past you!
You werent tripping-
That fellow is Rob Levitsky and he owns a bunch of houses known as the Dead Houses as each one is named for a Grateful Dead song.
You may check out pictures of the houses by following the links at-
http://cgi.stanford.edu/~group-synergy/pmwiki/pmwiki.php?n=Main.DeadHouses


EMBARCADERO: Grateful Dead fan provides student housing

Rob Levitsky's 10 houses have character and affordable rents
What glows in the dark and has footprints all over? The answer is Scarlet Fire, one of ten Palo Alto houses named after Grateful Dead songs and owned by Rob Levitsky. Home to seven Stanford students, Scarlet Fire can easily be spotted at night on Embarcadero Road.

The day-glow painted porch swing hangs beside an equally bright seahorse and butterfly, hanging metal sculptures made by Levitsky. Fluorescent painted footprints lead visitors to the front door from the porch steps. Inside, a student's large, single room is painted sky blue with white clouds floating near the top of the walls.

"Every house is certainly different," Levitsky said. "Several have porch swings because it is nice to sit outside."

Levitsky, who lives in one of his 10 houses, isn't your typical landlord. In fact, he doesn't even like to be called a landlord. Over the years, he's bought older homes on and near Embarcadero Road and rented them, primarily to Stanford students for relatively low rents.

A computer chip tester by day and "provider of housing" by night, Levitsky is an avid Grateful Dead fan who grew up in Palo Alto and graduated from U.C. Davis with a degree in electrical engineering. He wears tie-dye but also carries a cellular phone and an electronic datebook.

With some co-workers, Levitsky bought his first house, Terrapin, on Lincoln Avenue, 12 years ago and rented out rooms. "As my electronics business was successful, I put money into buying more houses. It started off as a hobby," he said. "It's not necessarily the best investment, but it's something I enjoy."

The houses were built at the turn of the century, and all have hardwood floors. Many garages have been converted into rooms, and all furnishings except beds are provided. Levitsky often makes home improvements himself, building decks and adding decorations. He makes sure that all houses have back yards as well as free Internet access and washing machines.

"It is the informal interaction with people that make this fun," Levitsky said. "During the school year, I get to know over 70 people and meet over 100 in the summer who come from all different countries. I like giving people a place to land."

"Living here is wonderful because Rob gives people the opportunity to live in a nice environment without spending a lot of money," said Tony Khalife, one of the few residents who is not a student. Khalife, a 32-year-old musician, lives in a converted garage in Dark Hollow, on Kingsley Avenue, where he also teaches guitar and drum lessons. "Rob is flexible with the money issue and really takes care of people."

Levitsky, 40, said he considers many of the residents his family. Because the houses are so close to campus, most residents are Stanford undergraduates who stay for an average of one year. "It's a pretty self-selecting crowd," Levitsky said. "If you expect servants to clean up for you and gardeners to garden for you, it's not the right thing for you." There are often 10 to 15 people in the living room eating dinner or watching television, and parties occur on a regular basis, he said.

"It's an issue I have to explain to (neighbors)," Levitsky said. "I like to support a lot of interaction between the houses, but if you're not responsible as a neighbor, the city has the power to do a lot of things to you." Levitsky advises students to leave parking space for the neighbors and to be quiet after 11 p.m.

"They were pretty quiet as students go," said Eric Hahn, who lived next door to Reckoning on Melville Avenue. "I guess we were pretty lucky," he said about the students' consideration in informing neighbors of planned parties.

The Hahns bought the Reckoning property in the spring. After the students moved out at the end of the school year, the Hahns applied for a demolition permit, which the City Council will consider Sept. 16.

"Every house in Palo Alto is at risk of being bulldozed," Levitsky said. "Everyday, something's going down. Developers see more money can be made by rebuilding."

Levitsky once paid developers $100,000 for a small home, which now houses four people, two doors down from Terrapin. He named the house Deal, after the Dead chorus "Don't you let that deal go down." "I spent my own money to save an old house, and it's beautiful," he said.

In addition to saving houses from the bulldozer, Levitsky, a guitar player, bought St. Michael's Art Cafe in 1993 when it was about to close because of poor sales. He ran it with co-owner Jenny Yule for 16 months before selling his share to Yule. Levitsky currently lives in Morning Dew on Waverley Street, but he makes daily rounds to the other nine houses, most with three-syllable names like Box of Rain and Shakedown Street, all within blocks of Embarcadero Road.

"Being on a busy street means you can be noisier. I absolutely must take the college lifestyle into account (when purchasing houses)," he said. "You can't have a college town without college students."

On his rounds, "I stop in and say 'hi' and check to see if anything's broken," Levitsky said. "I check the smoke detectors and make sure the recycling gets out. Safety is one thing I'm not laid back about."

At $380 to $400 per month, rent the so-called Dead houses is quite affordable for college students. "(My houses) are not market driven at all," Levitsky said. "(Rent) just evolved into what I think is a reasonable price--so long as I can cover mortgage, taxes and fire insurance. My goal is to break even someday." At Scarlet Fire, residents drop off their rent checks in an envelope taped to the front of the refrigerator.

"It's pretty much the mellowest, most laid back landlord-tenant agreement ever," said Rachel Barnett, a Stanford senior who lives in Scarlet Fire. "It's the only place off-campus where you're still going to get the Stanford atmosphere."

Although many people inquire about living at the Dead houses, to gain a spot, someone needs to have connections with the residents, he said. "Basically, random people don't get in," he said.

Levitsky said he operates on trust and does not request security or last month rent deposits. "The few times I have gotten burned were by random people."

As for the future, Levitsky said he has his hands full at the moment. But if he were to adopt another Dead house, Levitsky would have to like "the feel of it."

--Tracy Jan

And another article, if you like-

Hanging Tight
Stanford guru revives Grateful Dead spirit with eclectic housing
Bill Workman, Chronicle Staff Writer
Saturday, November 7, 1998
PRINT E-MAIL SHARE COMMENTS FONT | SIZE:

(11-07) 04:00 PDT PALO ALTO -- Around Stanford University, Rob Levitsky is seen as an affordable-housing guru for those students who prefer to live off-campus in a hang-loose, communal- style setting.

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The bearded, guitar-playing Levitsky, 41, is the owner of what have become known as ``the Grateful Dead houses.''

They are a dozen turn-of-the- century bungalows and other residences in and around Embarcadero Road in one of Palo Alto's older neighborhoods, which he rents out almost exclusively to Stanford students at below-market rates.

Each of the Dead houses was named by Levitsky, a consulting computer-chip tester and devoted Deadhead, in honor of songs made popular by the rock band and its cult-like following.

Check out his list of song houses: Terrapin Station, Box of Rain, Dark Hollow, Scarlet Fire, Deal, Birdsong, Morning Dew, Touch of Gray, Built to Last, Shakedown Street, New Speedway Boogie, and Truckin'.

The names are painted on some houses in the cartoon-Gothic style of Dead graphics, hinting to neighbors and passers-by that life inside is likely to be different from the rest

of the neighborhood.

At $475 a month per student, they are also less expensive than what most small apartments go for in high-priced Palo Alto, and Levitsky does not insist on a security deposit and last month's rent.

The Dead houses, where tenants typically share communal meals and set their own rules, are modeled after Stanford's funky co- op houses, places like Enchanted Broccoli Forest, Synergy and Columbae, where Levitsky got the idea for naming his properties.

Levitsky never advertises a vacancy. Tenants usually have lived in one of the university co-ops before moving into a Dead house in their senior year, staying for a year or two before moving on and making way for a new arrival.

A native of Palo Alto, Levitsky began buying the houses in 1982, not just as an investment but for a mixed bag of reasons, not the least of which seem to include a crusade to save some of his hometown's older homes from the wrecker's ball.

``Every time Palo Alto has tried to enact some ordinance to save old houses, it's been toothless or just a delaying tactic,'' says Levitsky, who for a while also owned and operated St. Michael's Alley, a landmark Palo Alto coffeehouse. ``I realized a long time ago that if you want to save an old house, you pretty much have to buy it.''

Levitsky, who holds a degree from the University of California at Davis in electrical engineering, lives with a half-dozen students in Morning Dew, a rambling two-story shingled house on tree-lined Waverley Street, not far from Professorville, Palo Alto's historic residential district.

It was not a surprise to his friends that he decided to name his houses in homage to Dead music. After all, for more than a dozen years he was a popular figure at the Dead's Bay Area concerts. He roamed the aisles and stage as ``the dancing bear,'' twirling a multilight ball on a stick and dressed in a homemade costume of faux fur that displayed a colorfully lit version of the Dead's signature dancing bear.

Levitsky concedes that the psychedelic drugs that fueled the audiences enhanced his own appreciation of Dead music, but says that once he undertook his dancing bear routine, he had to turn down offerings from other Deadheads. ``When you were climbing around a stage and up stairs, you really had to focus,'' he says, laughing.

Although Dead concerts are no more since the band broke up after the death of Jerry Garcia, Levitsky still occasionally walks the streets of Palo Alto in the bear outfit, and wore it to the Burning Man festival in the Nevada desert last summer.

Not everyone likes what Levitsky is doing with his properties. Several neighbors of two buildings on Lincoln Avenue and around the corner on Byron Street have complained that students leave trash from parties spilling over onto the sidewalk. They also say that there does not seem to be a regular schedule of maintenance for the houses.

``I'm not unsympathetic to co- op housing. I lived in a co-op when I went to UC Berkeley,'' says Lucinda Abbott, who lives with her husband across from Terrapin on Lincoln. ``There will always be a certain amount of tension between students and settled-down neighbors, but that can be mitigated by paying more attention to maintenance of the houses.''

Nonetheless, one of Levitsky's biggest fans is former Stanford president Donald Kennedy, with whom Levitsky shares sunrise runs in the hills above the Stanford campus.

``I think Rob is doing a terrific thing for Stanford students,'' says Kennedy. ``You can look far and wide in this community and not find the kind of below-market housing that he is providing them, and he really cares about young people.''

Kennedy recalled that the two men met several years ago when the university was planning to tear down two co-op houses damaged by the 1989 Loma Prieta earthquake. Levitsky was among preservationists who persuaded Stanford to save one of the buildings, now known as Synergy house.

A throwback to the hippie era clad in sandals and tie-dye T-shirts, Levitsky enjoys the simple pleasures of hanging around with Stanford students, whom he periodically invites to go on weekend camping trips at a 65-acre site he owns in the Santa Cruz Mountains near Big Basin.

Although financially well-off, Levitsky, a former partner in Palo Alto startup Megatest before he became a consultant, eschews the upscale pursuits of many of his Silicon Valley contemporaries.

``If all of this went away,'' he says, waving a hand toward Morning Dew house, ``my lifestyle wouldn't change one bit, and I'd still be wearing my batik T-shirts and playing my guitar.''
HeadCount Collector's Auction


Throughout the last year, our friends have donated many valuable and unique items for a fundraising auction. Now, as we head into the final week of our year-long campaign, we are proud to present the HeadCount Collector's Auction, with eight distinct and high-value items.

Please visit www.HeadCountAuction.com to view or bid on the following:

A Warren Haynes, custom Gibson Les Paul Guitar, signed by Warren himself
A Pearl Jam poster from their 2008 tour, signed by every band member
A Fender guitar signed by every member of the Allman Brothers Band and Bob Weir & RatDog
A guitar signed by every member of My Morning Jacket
A Rothbury poster signed by Snoop Dogg, Dave Matthews and three members of Phish
A Mile High Festival poster signed by Dave Matthews, John Mayer and 10 others
A pair of Congas played by Jay Lane of RatDog along side Bob Weir at a historic private performance in Washington D.C. on April 7th (signed by both)
Special thanks to Gibson, Pearl Jam, Rothbury, Mile High Festival and all the artists for donating and signing these items.

Tuesday, October 21, 2008


Happy Bertha Jeff!

There's a very nice story on Jeff at Ratdog.com- just scroll down when you get to
http://www.rat-dog.com/news/index.php?start_from=10&ucat=&archive=&subaction=&id=&

Sunday, October 19, 2008

A Benefit for Casa de Milagros
featuring Bob Weir, Rob Wasserman, Jay Lane and Special Guests
Sunday, November 30 7:00pm
$50.00 General Admission
Buy tickets at TicketWeb or by calling 415.383.9600


Casa de Milagros (Home of Miracles) is a children's home in the Sacred Valley near historic Machu Picchu, Peru. It was founded by the Chandler Sky Foundation to heal the mind, body and spirit of many of the thousands of orphaned and abandoned children living in poverty on the streets of Cusco, Peru and surrounding towns. Casa de Milagros provides shelter, food, clothing, basic medical care, and education and arts programs that promote self-confidence and self-worth for children in need. This is done in a truly unique environment in which progressive programs are used to foster a healthy and positive consciousness. Based on the philosophy that we must start at the root of the problem, healing and educating children so that they can give back to their community, The Chandler Sky Foundation aims to provide positive long-term benefits to the region's social and environmental problems.

http://www.142throckmortontheatre.org/event.php?eventid=894

Friday, October 17, 2008

Nice description of the Slide Ranch benefit- Bobby accepted an award on behalf of The Grateful Dead at the event.
Scroll down a little.
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/10/17/LV3D13HOI1.DTL

there's our guy and with the Mrs-
Deadheads flock to Best Buy
Read the article
http://www.relix.com/Features/Daily_News/Deadheads_Flock_to_Best_Buy_for_Lesh%10Weir_Signing__200810163242.html

Wednesday, October 15, 2008

Want to hear the PSU show?
It's online- HEAR HERE!

Press!, Press! and even more Press!
regarding Deadheads for Obama!

PSU Review by Jimmy Z!

Written by Jimmy Z

Hey all,

Longtime 'head, here -- been lurking for yrs., but not one to post until now! Just wanted to offer my $.02 from last night's show.

I thought the show was excellent. Flawless? Naah. You could tell they were not particularly well-rehearsed as evidenced by some rough transitions, mostly in the song structures rather than the jams. But it mattered little, except for St. Stephen where it was a buzz-kill when they derailed! Having said that, it was a night of really dark, thick, exploratory, spooky, funky, dense jams that made my face melt on multiple occasions. To my eyes, everybody was in good spirits. Mickey walked out pumping his fists to the crowd, Phil had one of the longest hugs I've ever seen with his wife on the side of the stage before assuming his position, and Bobby came on last once everybody else was ready to roll and received thunderous applause which he acknowledged. Phil was all smiles the whole night.

I was most struck by how much the core four was physically clustered together on stage. Phil and Bob were frequently facing each other and turned backwards toward the drummers forming a tight quartet of sound and stage presence - - they were really playing off each other and watching each other. I thought the music was very free-flowing and democratically distributed.

As reported, Warren was understated and deferred to the core four and the group ethos more than ever which was a joy for me. He picked his spots wisely and laid back when appropriate, all the while weaving in and out of the bed that was being laid down -- he was quick on his feet and comped everybody nicely while also steering the ship when he chose.

Ditto for Jeff who really shined on Unbroken Chain with both his crazy, crazy jazz solo on the grand, then his rockin' organ swells on the 2nd jam. He was super-tasteful all night and really added a beautiful dimension without being a wallflower.

What can you say about Phil and Bob and the drummers that hasn't been said a million times before? Each brought his A game and his distinct signature sound to the mix with great effect. Hearing Billy and Mickey together again was a polyrhythmic force to reckon with, esp. with Phil's thumping and Bob's angular voicings. Very powerful.

Bob was in fine voice right out of the gate and the jams were explosive beginning with some great ensemble playing in Truckin'. Great crescendos.

US Blues was raw and fun -- nothing special, there.

The HSF was off the charts, though -- particularly Slipknot. Yes, Bob flubbed the 1st line in Help (as well as a verse in Touch but who's counting). Didn't matter.

The Playin' was powerful, and the ensuing jam was spooky.

Ditto for Dark Star.

St. Stephen caught me off guard when the 2nd jam, usually, the most rocking one, went into deep space -- very different and cool. Unfortunately, they didn't quite know how to pull out of it and get back into the tune and it was a bit of a wreck.

Unbroken Chain was great -- excellent jamming. I think Bobby had a rough time in the beginning remembering the chord progressions as it sounded like he hit a couple of clunkers in there and seemed to be reading the sheet music off his prompter, but he def recovered before the jams took off and it was all good.

I missed most of TOO while stretching out in the hallway and getting some deliciously refreshing Paterno Peach ice cream (a real flavor -- seriosuly) -- but it sounded pretty damn good out there. In fact, the sound system was crystalline from where I sat in contrast to the ABB where it was a little muddy.

Throwing Stones was solid, again great jams and very funky at the end -- they all had fun with it.

Playin' reprise was nice and compact and uplifting.

Touch featured a great Warren solo with was really melodic and light on its feet -- not his strong suit, imo, so I was really pleased. After such a dark, intense, outer space show, it was a nice moment of levity.

NFA was par and fun.

For me, the jams were just wonderful and I thought there was an interesting musical conversation taking place most of the night with some good ideas that were built on nicely -- it didn't sound meandering or self-indulgent, it was actually pretty spry.

Interesting that besides Franklin's, there were no bouncy tunes (US Blues in its current rendition no longer has much bounce, imo) -- no Scarlet or UJB or China, no 1st set ditties like FOTD or Dire Wolf, etc. Def a brooding stew instead!

Speaking for myself, it was a hell of a lot of fun and the music was extremely satisfying. I was happy how well Warren integrated with the band without making it too southern-fried. His psychedelic playing is rich and he has big, generous ears. The only disappointment with his playing is that his solos don't smile and grin like JG's -- like everybody, I miss the round, playful bounce of Jerry, esp on a song like Franklin's which just sounds a little more balls-out than lyrical with Warren playing his power chords on the chorus and blazing his solos -- not that it's bad, just different. Again, nothing surprising given the last 8 yrs. that's Warren's been in and out of the GD world. Still, when you hear the core four, you can't help but yearn for the ethereal, sparkling joyous leads that JG dripped out effortlessly when he was "on." Not to get too sentimental! Anyway, as reported, Warren's lead in Touch was a nice surprise and here's hoping they tour in the spring, keep the music evenly distributed across the stage, and that Warren turns up the warm colors in his arsenal when called for on the right songs!


Soundcheck video from 10/13 is up at the Grotto!

Tuesday, October 14, 2008

Finally a birthday/NYE Ratdog bash!!!

RatDog, Phil Lesh & Friends to Welcome 2009 in San Francisco
Bob Weir & RatDog & Phil Lesh & Friends to Co-Headline each night.
Jackie Greene to support each night.

Dates: December 30 & 31, 2008
Venue: Bill Graham Civic Auditorium
City/St: San Francisco, CA
Doors: 5:00 PM
Showtime: 6:00 PM

Pre-sales through GDTS Too and Musictoday shall start accepting postmarks for GDTS Too and be initialized for internet sales via Musictoday, starting on Thursday, October 16. Musictoday to start at Noon EST. Pre-sales for GDTS and Musictoday shall conclude on Friday, October 31 at 6:00 PM EST.

Public OnSale is Sunday, November 2 at 10:00 AM PST.






Posted on YouTube by Lazylightning66







Ben & Jerry's

Monday, October 13, 2008

 Change Rocks Press Conference Carried on The Grotto


by Colleen McSpirit

      The Purply Grotto will have news stories and video from both the sound check and press conference prior to tomorrow's Change Rocks event.
      Information from Grotto correspondents is expected to start appearing as early as 4 p.m. with reports up until show time.  should be a blast make sure to check back to this page often as we'll keep you updated on all the happenings.


check here for purply grotto coverage!

Sunday, October 12, 2008

Hippied to death

Obama Event "Change Rocks" - Final Ticket Release
With regards to the Change Rocks event at the Bryce Jordan Center in State College, PA this Monday, October 13,
please note the campaign has released a limited amount of tickets this morning which have been placed back into the system for sale to the General Public.
Please go to www.ticketmaster.com for further details.





If you listen non-stop to the Grateful Dead, wear purple shirts & socks everyday and have a 17 yr old daughter, you may not want to read this letter to Hey Cherie!

Friday, October 10, 2008

Nice!
An article from Rolling Stone-
The Dead Rock the Pyramids



Bob Weir & Ratdog Fall Tour 2008
Mail Order Update:

Tickets for Westbury, NY, Munhall, PA
and Richmond, VA have been dispatched.
The remainder of the Fall 2008 Tour will
go out within the next couple of weeks.

Westbury NY and Richmond VA tickets
can be purchased with a Master Card or
Visa through October 14th. Email us at
gdtstoo@gdtstoo.com for details.

Mail order for Westbury, NY, Munhall, PA
and Richmond, VA is over.

Tickets for the remainder of the tour are
still available. Please check our website
for details.

----------------------------------------------------------

Our new customer service number is:
415 868-9819
Our telephone hours are (Approx) Monday
Through Friday, 11:00 AM to 4:00 PM Pacific time.

----------------------------------------------------------

The Crew of GDTS TOO
October 10, 2008

"got to make it somehow
on the dreams you still believe"

Robert Hunter

__._,_.___

Oh wow!
I need this book- all the best pictures are inside!
http://www.amazon.com/Grateful-Dead-365-Holly-George-Warren/dp/0810972824
How did I manage to miss hearing of it?

Sunday, October 05, 2008

It seems whenever (and it's a rare thing) I decide to take a break from all things GD/RD related, references seem to pop up.
I think somewhere else in the blog is the John Perry Barlow story? Scott was taking me to dinner but forbade me to mention any Dead related anything. It wasnt hard to do but then, who should stumble into the restaurant but JPB?!

I don't think I watch that much TV but it seems an odd coincidence to be clicking tra la la thru TV channels and randomly find GD references- this weekend alone, I've hit the last 1/2 hour of "Flirting with Disaster", "The Boys of 2nd street park" (referred it a few daze ago), "Wetlands Preserved"- on cable now- a few Bobby moments and of course any program regarding the 60's, drugs or counter culture which seem to always be on some channel at any given moment.

Today, I've been feeling pokey and wanting to veg out (while crafting 500 schwag bag toys)....I head to my art room,
pull out all the tools, fabrics, glues and paints I am using.
Instead of zoning out to music, I turn on the TV....Cruising thru the channels, I settle on something called "The Rachel Zoe Project" a reality show which follows the life of a celebrity stylist and her employees. It's fashion week and Rachel's whirling from fashion show to shopping sprees. Not totally engrossing but better than the usual Sunday fare.

So, I figure I'm safe from having to think about The GD but it turns out I'm wrong. Right there, in the middle of having her make up applied, Rachel Zoe is discussing "The world's greatest band" and how she will name her first born Scarlet Begonia. Her husband/partner is incredulous that the make up artist has never heard of Jerry Garcia. I look up at the TV. I put down my scissors & glue, shut off the TV and turned the stereo on (RD 7/09/2008).
Why fight it, ya know?

Friday, October 03, 2008

Paul Liberatore: Grateful Dead's contributions to Slide Ranch subject of tribute dinner
Paul Liberatore


Every time I think I know a lot about the rock 'n' roll history of Marin County, something new comes to my attention that makes me think again.

That happened recently when I heard that Slide Ranch, the teaching farm on the Marin coast, is hosting a $750-a-couple dinner in honor of the Grateful Dead on Tuesday night at Fort Baker's tony new Cavallo Point Lodge.

The evening includes music by the Celtic jam band Wake the Dead, and a "silver trowel" presentation to former Grateful Dead guitarist/singer Bob Weir.

If you're like me, you may be wondering what in the world the Grateful Dead had to do with Slide Ranch. Surprisingly, a whole heckuva lot.

Executive director Charles Higgins has done considerable digging into the history of a ranch that was once a ruin and now gives 8,000 city kids per year a taste of life on a working, organic farm.

He tells us that:

Ed Washington, co-producer of "The Grateful Dead Movie" in 1977, was the ranch's first director.

Danny Rifkin, the Dead's first manager, had a lot to do with connecting inner-city kids to the bucolic 134-acre spread.

Jerry Garcia, the band's lead guitarist, was its first major donor, contributing $500 - a lot of money 40 years ago.

I was reminded that my colleague Nels Johnson and I attended a Saturday afternoon benefit concert for Slide at the Stinson Beach Community Center by Garcia's short-lived bluegrass band, Old & In the Way.

Over the years, the Grateful Dead's Rex Foundation came through

with much-needed grants at critical times.

Originally a 19th century dairy farm owned by a Portuguese family, the ranch had degenerated into a haven for drug dealers and counterculture outlaws in the freewheeling 1960s.

In 1969, through the joint efforts of Marin attorney Doug Ferguson and the Nature Conservancy's Huey Johnson, Slide Ranch was purchased and protected from commercial development and cocaine cowboys.

Once the deal was done, Susie Washington-Smyth, who co-founded Slide with her husband, Ed, recalls bounding down the ranch's precarious driveway with Ferguson and Johnson only to be confronted by shotgun-wielding drug dealers on horseback.

"These guys had on cowboy hats and big duster coats and snarled at us, 'What the hell do you want here?'" she recalls. "Huey (Johnson) looked at them and yelled, 'I'm your new landlord and you've got 30 days to get out of here.' I was convinced they were going to shoot us. When they left, they just trashed the place."

The Washingtons and other members of the Grateful Dead extended family spent months cleaning up the ranch grounds and its falling-down outbuildings, constructing a Buckminster Fuller-inspired geodesic dome as a primary program area.

It became "the anti rock 'n' roll place," Higgins explains, for the folks, mostly women, who were into milking goats and going back to the land, providing a healthy environment for their children and for inner city kids to learn about the earth and how to take care of it.

Carolyn "Mountain Girl" Garcia, Jerry's wife, remembers coming out to the ranch from Stinson with her two young children, Sunshine Kesey, Ken Kesey's daughter, and Annabelle Garcia, Jerry's girl.

"The driveway was a nightmare," she recalls. "They didn't call it Slide Ranch for nothing. By the time it became an environmental center, everyone had put in so much work. There were tons of garbage. We had to break the foundation out from the old cow barn, which was crumbling old concrete, and that took months. Everybody we knew came out and participated."

Since those volunteer-driven beginnings in 1970, more than 175,000 people from diverse backgrounds and communities, most of them youngsters, have participated in Slide Ranch educational programs.

With an eight-person staff, the ranch offers family and group programs as well as summer day camp for 8,000 visitors a year. These are hands-on education activities on a working ranch with farm animals and organic gardens.

"Slide Ranch has always been a different kind of place," Washington-Smyth points out. "It's never been your mainstream summer camp. It's always been right on the edge of idealism and practicality. And that's one of the reason's it's been successful.

"When we started in 1969, it was with a wish and a prayer," she says. "One of the most surprising things to me is that 40 years later, Slide Ranch is still going on stronger than before."

IF YOU GO

- What: Slide Ranch and the Grateful Dead Silver Trowel Award Dinner

- Who: Special guests Bob Weir, Rob Wasserman, Jay Lane, Henry Kaiser, Dennis McNally, Rep. Lynn Woolsey, Brian O'Neill, Gary Fisher, Doug Ferguson

- When: 5 to 9 p.m. Tuesday

- Where: Cavallo Point Lodge at Fort Baker, 601 Murray Circle, Sausalito

- Tickets: $750 per couple

- Information: 381-8758, charles@slideranch.org

Paul Liberatore can be reached at liberatore@marinij.com

..................
The Boys of 2nd Street Park is on this weekend on Showtime. It's a film (documentary) about a group of guys from a particular neighborhood. The all got into the GD in 1970 (there's Sugar Magnolia playing with GD clips), there are some interesting reflections on the era. You might like it.

Thursday, October 02, 2008

The show will go on

Not that I had much doubt but here it is on Glide-
http://www.glidemagazine.com/hiddentrack/briefly-bobby-will-survive-show-goes-on/

....

Time for a video break!
Milk & Cookies has a nice one up- Check it out!
http://www.milkandcookies.com/link/128074/detail/

Wednesday, October 01, 2008

Woofing!
'Voice of The Dog" was sent out this afternoon.
I'm not going to cut and paste it here- YOU must go register at Ratdog.com to receive your copy!
There's a link to dot com over there somewhere with the other links->
........

Bobby also got a mention on TMZ (!) Of all places!
ew!
http://www.tmz.com/2008/10/01/dead-guy-grateful-to-be-breathing/
It really is just a remash of the item Leah Garchik posted in her column the other day- about Bobby having to cancell out of a Marin private party/fundraiser due to the need to recouperate after suffering from some busted ribs and a bug. OUCH!
There is no new whether this will affect the Obama show- my own guess is that our guy is guarding his health with extra so he will be in top form for that gig.

{{{{{Patching bones}}}}}